Which was a really great way to use the actual fabric that was on-stage to give this impression of presence that comes in and out that kind of has this creepy feeling. This is another way we used this 3D scan of the model to create these faces and hands and shapes appearing through fabric. We shot this model and suspended her in the air using the 3D as well as the shot to composite this piece where she becomes decomposed in the air. Had this model in various forms throughout the show. We also used a real-life model that was also present during the entire show as this androgynous figure that was dominating the entire stage, and kind of taking over and being the leader of the performance. We have also a lot of other interactive features in that show like face detection, other types of face detection like this. This is a first test of what I'm going to show later is the Kinect- detected silhouettes that will then be controlled by these Mocap hands that I will demonstrate a bit later. We even had the access to these drones that were flying around the stage and were also controlled by a 3D pattern that was pre-programmed during the show.
Give us a feel of how the transparent material will look and how the ratio to the musicians on stage will look like.
We also do maquettes to be able to test out our content, so that's a really interesting way to approach our production is that, until we finally get there on-site, we cannot really know how it will look, so it's really useful to create these little maquettes. This is the projection study that shows you that we are projecting from both sides in a 360 stage, showing visuals exactly the same way from one side to the other. So this is a stage design that's made out of tons of panels of semi-transparent fabric. First up, I'm going to put you in context and explain the amazing complexity and the canvas that we've been working with. What I'll be talking about today is the Muse Drones Tour that we created in 2015 and has been touring for two years. We do a lot of visual compositions, with not only creating the visuals, but also the immersion and sometimes even robotics. From small motion design to complex VFX work and even to control our robots and such. So we use Cinema 4D for a lot of our productions.
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